Poets. Do you see colour in music? this is why.....excerpts on an article on synesthesia...Hack

read the entire article at Scientific American... http://www.sciam.com/print_version.cfm?articleID=0003014B-9D06-1E8F-8EA5809EC5880000

Hearing Colors, Tasting Shapes People with synesthesia--whose senses blend together--are providing valuable clues to understanding the organization and functions of the human brain By Vilayanur S. Ramachandran and Edward M. Hubbard

Modern scientists have known about synesthesia since 1880, when Francis Galton, a cousin of Charles Darwin, published a paper in Nature on the phenomenon. But most have brushed it aside as fakery, an artifact of drug use (LSD and mescaline can produce similar effects) or a mere curiosity. About four years ago, however, we and others began to uncover brain processes that could account for synesthesia. Along the way, we also found new clues to some of the most mysterious aspects of the human mind, such as the emergence of abstract thought, metaphor and perhaps even language.

A common explanation of synesthesia is that the affected people are simply experiencing childhood memories and associations. Maybe a person had played with refrigerator magnets as a child and the number 5 was red and 6 was green. This theory does not answer why only some people retain such vivid sensory memories, however. You might think of cold when you look at a picture of an ice cube, but you probably do not feel cold, no matter how many encounters you may have had with ice and snow during your youth.

Another prevalent idea is that synesthetes are merely being metaphorical when they describe the note C flat as "red" or say that chicken tastes "pointy"--just as you and I might speak of a "loud" shirt or "sharp" cheddar cheese. Our ordinary language is replete with such sense-related metaphors, and perhaps synesthetes are just especially gifted in this regard A Way with Metaphor

Our insights into the neurological basis of synesthesia could help explain some of the creativity of painters, poets and novelists. According to one study, the condition is seven times as common in creative people as in the general population.

One skill that many creative people share is a facility for using metaphor ("It is the east, and Juliet is the sun"). It is as if their brains are set up to make links between seemingly unrelated domains--such as the sun and a beautiful young woman. In other words, just as synesthesia involves making arbitrary links between seemingly unrelated perceptual entities such as colors and numbers, metaphor involves making links between seemingly unrelated conceptual realms. Perhaps this is not just a coincidence.

We began trying to find out whether synesthesia is a genuine sensory experience in 1999. This deceptively simple question had plagued researchers in this field for decades. One natural approach is to start by asking the subjects outright: "Is this just a memory, or do you actually see the color as if it were right in front of you?" When we tried asking this question, we did not get very far. Some subjects did respond, "Oh, I see it perfectly clearly." But a more frequent reaction was, "I kind of see it, kind of don't" or "No, it is not like a memory. I see the number as being clearly red but I also know it isn't; it's black. So it must be a memory, I guess."

To determine whether an effect is truly perceptual, psychologists often use a simple test called pop-out or segregation. If you look at a set of tilted lines scattered amid a forest of vertical lines, the tilted lines stand out. Indeed, you can instantly segregate them from the background and group them mentally to form, for example, a separate triangular shape. Similarly, if most of a background's elements were green dots and you were told to look for red targets, the reds would pop out. On the other hand, a set of black 2's scattered among 5's of the same color almost blend in It is hard to discern the 2's without engaging in an item-by-item inspection of numbers, even though any individual number is just as clearly different from its neighbors as a tilted line is from a straight line. We thus may conclude that only certain primitive, or elementary, features, such as color and line orientation, can provide a basis for grouping. More complex perceptual tokens, such as numbers, cannot do so.

We wondered what would happen if we showed the mixed numbers to synesthetes who experience, for instance, red when they see a 5 and green with a 2. We arranged the 2's so that they formed a triangle. If synesthesia were a genuine sensory effect, our subjects should easily see the triangle because for them, the numbers would look colored.

When we conducted pop-out tests with volunteers, the answer was crystal clear. Unlike normal subjects, synesthetes correctly reported the shape formed by groups of numbers up to 90 percent of the time (exactly as nonsynesthetes do when the numbers actually have different colors). This result proves that the induced colors are genuinely sensory and that synesthetes are not just making things up. It is impossible for them to fake their success. In another striking example, we asked a synesthete who sees 5 tinged red to watch a computer display. He could not tell when we surreptitiously added an actual red hue to the white number unless the red was sufficiently intense; he could instantly spot a real green added to the 5.

Visual Processing... Confirmation that synesthesia is real brings up the question, Why do some people experience this weird phenomenon? Our experiments lead us to favor the idea that synesthetes are experiencing the result of some kind of cross wiring in the brain. This basic concept was initially proposed about 100 years ago, but we have now identified where in the brain and how such cross wiring might occur.

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